From among all these early efforts emerges Louis Le Prince, a Frenchman who moved to Leeds, England, and then to New York City, and who, before becoming obsessed with the idea of moving pictures, had never invented anything in his life. He worked on the project for years, and just as he succeeded, something happened that hid him from history and allowed Edison to claim credit.
On September 16, 1890, Le Prince boarded a train from Dijon, France, to Paris and was never seen or heard from again.
Thus Paul Fischer’s tale of the movies’ early days becomes a detective story. This remarkable twist reminded me of Erik Larson’s books: meticulously researched history with a hook.
Thanks in part to Fischer, Louis Le Prince is now being recognized for his dogged and doomed work on the curious invention that, arguably, changed the world.
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